From the singing rabbi to the king of Hasidic reggae
My study introduces three significant figures from the Jewish religious popular music scene (Shlomo Carlebach, Debbie Friedman and Matisyahu). Through these three case studies I examine the participants’ understanding of music and how (religious) identities are defined and redefined through reli-gio...
Elmentve itt :
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| Dokumentumtípus: | Cikk |
| Megjelent: |
2015
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| Sorozat: | Religion, culture, society
2 |
| Kulcsszavak: | Zsidó vallás, Popzene |
| Tárgyszavak: | |
| Online Access: | http://acta.bibl.u-szeged.hu/66992 |
| Tartalmi kivonat: | My study introduces three significant figures from the Jewish religious popular music scene (Shlomo Carlebach, Debbie Friedman and Matisyahu). Through these three case studies I examine the participants’ understanding of music and how (religious) identities are defined and redefined through reli-gious popular music. Questions of world views, religious attitudes, identities are brought to the fore. I would like to shed light on how the relationship to com-munity, tradition and religious tradition is contested through Jewish religious popular music. |
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| Terjedelem/Fizikai jellemzők: | 87-99 |
| ISSN: | 1416-7972 |