Teoría y práctica del cine "nacional" en la guerra civil española
The insurgent army of the Spanish extreme right took advantage of the power of cinema, just like other European leaders did in the 20Th centuiy. Between 1936 and 1939 (and during the whole regime as well) Spanish screens were spread with nationalist visual propaganda in order to shape the course of...
Elmentve itt :
| Szerző: | |
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| Dokumentumtípus: | Cikk |
| Megjelent: |
Universidad "József Attila", Departamento de Estudios Hispánicos
Szeged
2011
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| Sorozat: | Acta hispanica
16 |
| Kulcsszavak: | Filmtörténet - spanyol - 20. sz., Filmművészet - spanyol - 20. sz. |
| Tárgyszavak: | |
| Online Access: | http://acta.bibl.u-szeged.hu/30488 |
| Tartalmi kivonat: | The insurgent army of the Spanish extreme right took advantage of the power of cinema, just like other European leaders did in the 20Th centuiy. Between 1936 and 1939 (and during the whole regime as well) Spanish screens were spread with nationalist visual propaganda in order to shape the course of public opinion and to implant the ideology of the Falangist Movement in the citizens. General Franco, his confidants and even his relatives exercised tight control over film politics, giving preference to short films, documentaries and newsreels. In this essay we examine the theoretical and industrial background of the incipient francoist film politics during the Civil War and we highlight some of the most important products of this effort , briefly touching upon a few relevant international matters, such as the anti-Franco movement of Hollywood or the German and Italian support. |
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| Terjedelem/Fizikai jellemzők: | 123-132 |
| ISSN: | 1416-7263 |