Remanences and Futurities Jonathan Rozenkrantz: Videographic Cinema /

Jonathan Rozenkrantz’s book, Videographic Cinema analyses the now obsolete medium of video from a refreshing and exciting perspective. The book focuses primarily on the emergence of analogue video images in theatrically released feature films. Rozenkrantz’s approach to the archaeology of video image...

Teljes leírás

Elmentve itt :
Bibliográfiai részletek
Szerző: Török Ervin
Dokumentumtípus: Cikk
Megjelent: 2022
Sorozat:DISEGNO: A DESIGNKULTÚRA FOLYÓIRATA 6 No. 1
Tárgyszavak:
doi:10.21096/disegno_2022_1et

mtmt:33532294
Online Access:http://publicatio.bibl.u-szeged.hu/25884
Leíró adatok
Tartalmi kivonat:Jonathan Rozenkrantz’s book, Videographic Cinema analyses the now obsolete medium of video from a refreshing and exciting perspective. The book focuses primarily on the emergence of analogue video images in theatrically released feature films. Rozenkrantz’s approach to the archaeology of video images is carefully balanced between the refusal of ontological idealism on the one hand (exemplified by works of André Bazin and D. N. Rodowick, among others), and on the other, the refusal of the reduction of video images to mere textual signifiers.
Terjedelem/Fizikai jellemzők:120-124
ISSN:2064-7778