The making of illusion and the "suspension of disbelief" in postmodern spirit The Reflection of Contemporary Literary Theories in Woody Allen's The Kugelmass Episode /
This thesis looks at the relationship between four characteristic features of postmodern literary texts in general and, more specifically, Woody Allen's short story The Kugelmass Episode. Chapter 1 explores the background, evolution, and a newly-developed form of selfreflexivity (specifically &...
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| Dokumentumtípus: | Szakdolgozat |
| Megjelent: |
2001
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| Kulcsszavak: | Woody Allen The Kugelmass Episode self-reflexivity metafiction intertextuality hypertext postmodernism contemporary literary theories textual positions |
| Tárgyszavak: | |
| Online Access: | http://diploma.bibl.u-szeged.hu/76483 |
| LEADER | 02725nta a2200277 i 4500 | ||
|---|---|---|---|
| 001 | dipl76483 | ||
| 005 | 20190529063938.0 | ||
| 008 | 190528s2001 hu om 0|| eng d | ||
| 040 | |a SZTE Diploma Repozitórium |b hun | ||
| 041 | |a eng | ||
| 100 | 1 | |a Bakó Judit | |
| 245 | 1 | 4 | |a The making of illusion and the "suspension of disbelief" in postmodern spirit |h [elektronikus dokumentum] : |b The Reflection of Contemporary Literary Theories in Woody Allen's The Kugelmass Episode / |c Judit Bakó |
| 260 | |c 2001 | ||
| 520 | 3 | |a This thesis looks at the relationship between four characteristic features of postmodern literary texts in general and, more specifically, Woody Allen's short story The Kugelmass Episode. Chapter 1 explores the background, evolution, and a newly-developed form of selfreflexivity (specifically "designed" for postmodern texts). I also touch on the somewhat problematic relationship between fiction (art) and reality (life) in terms ofthe conventions of realism, as well as the conscious nature of self-reflexive narratives. The investigation of this theme from different angles forms an organic part ofeach chapter, in 2/b and 5 in particular. Chapter 2 examines metafictional tendencies and their implications for the authorial power and - also under a separate subchapter in the following section - the role ofthe reader within the author-text-reader triangle. I briefly discuss the sometimes difficult reception of metafictional works by the literary community too, and referring to contemporary theories, I look at how these texts are read differently from traditional literature. Chapter 3 investigates the notion of intertextuality in its tight and broad sense, and is seen - along with self-reflexivity and metafiction - to be a literary response to postmodernism and its "crisis" ofrepresentation. Chapter 4 sets out to explore hypertext, not as a technical phenomenon but that of the nonlinear tradition, in an attempt to outline the main issues within the emerging field ofstudies of the reception and reading process. In Chapter 5 I examine the applicability of contemporary literary theories for the interpretation of Woody Allen's short story, and also the reflection of the postmodern narrative strategies discussed throughout the previous chapters. | |
| 650 | 4 | |a Pedagógusképzés | |
| 695 | |a Woody Allen | ||
| 695 | |a The Kugelmass Episode | ||
| 695 | |a self-reflexivity | ||
| 695 | |a metafiction | ||
| 695 | |a intertextuality | ||
| 695 | |a hypertext | ||
| 695 | |a postmodernism | ||
| 695 | |a contemporary literary theories | ||
| 695 | |a textual positions | ||
| 700 | 1 | |a Hegyi Pál |e ths | |
| 856 | 4 | 0 | |u http://diploma.bibl.u-szeged.hu/id/eprint/76483/1/2001_bako_judit.pdf |z Dokumentum-elérés |