Exploring attitudes towards a recent Hungarian film analysing a special case with qualitative methods /

The Hungarian film industry and finances have shifted after the regime change. Since then, domestic films have attracted fewer Hungarian viewers to cinemas, a phenomenon that the viewership of the film Futni mentem (Gone Running), released at the end of 2024, seemed to have challenged. The aim of th...

Teljes leírás

Elmentve itt :
Bibliográfiai részletek
Szerző: Vas Bianka
Testületi szerző: Green and digital transition, the 7th Conference in cooperation with the European Association for Comparative Economic Studies
Dokumentumtípus: Könyv része
Megjelent: University of Szeged, Faculty of Economics and Business Administration, Doctoral School in Economics Szeged 2025
Sorozat:Conference in cooperation with the European Association for Comparative Economic Studies
Kulcsszavak:Filmelemzés, Filmművészet
Tárgyszavak:
doi:10.14232/gtk.ppsgdte.2025.22

Online Access:http://acta.bibl.u-szeged.hu/89237
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040 |a SZTE Egyetemi Kiadványok Repozitórium  |b hun 
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100 1 |a Vas Bianka 
245 1 0 |a Exploring attitudes towards a recent Hungarian film  |h [elektronikus dokumentum] :  |b analysing a special case with qualitative methods /  |c  Vas Bianka 
260 |a University of Szeged, Faculty of Economics and Business Administration, Doctoral School in Economics  |b Szeged  |c 2025 
300 |a 369-384 
490 0 |a Conference in cooperation with the European Association for Comparative Economic Studies 
520 3 |a The Hungarian film industry and finances have shifted after the regime change. Since then, domestic films have attracted fewer Hungarian viewers to cinemas, a phenomenon that the viewership of the film Futni mentem (Gone Running), released at the end of 2024, seemed to have challenged. The aim of this study is to examine attitudes towards the film utilizing three qualitative methods. Content analysis and an expert in-depth interview were conducted to analyze the film’s communication platforms and method. Comments on social media posts were examined from a qualitative perspective to identify the most frequently recurring themes and attitudes. The results show that the film and its outstanding viewership are divisive among the commenters. Clusters can be formed based on the commenters’ knowledge and attitudes towards the film, which include the groups of enthusiastic fans, the interested ones, the outraged individuals, the disappointed, the skeptics and the domestic film avoiders. 
650 4 |a Bölcsészettudományok 
650 4 |a Művészetek (művészetek, művészettörténet, előadóművészetek, zene) 
695 |a Filmelemzés, Filmművészet 
711 |a Green and digital transition, the 7th Conference in cooperation with the European Association for Comparative Economic Studies  |c Szeged  |d 2025. június 18-20. 
856 4 0 |u http://acta.bibl.u-szeged.hu/89237/1/ceaces_007_2025_369-384.pdf  |z Dokumentum-elérés